P - Define and describe the different types of working to a brief
M- Compare and explain the different requirements of working to different types of brief with reference to detailed illustrative examples
D - Evaluate the advantages and disadvantages of the requirements of working to different types of brief with specific examples
Task: Match 'em up
Contractual
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Where two
or more companies are hired to complete the task.
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The brief
only contains the information that the company need.
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This can
be risky as there is no document stating anyone agreed to do anything, the outcome
could be nothing.
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Formal
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When two
or more media companies are both working together on a brief, they can have
conflicting ideas and when this happened they have to have a negotiating
brief.
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The independent company will be paid for doing this, and could even
get part of the company's profit every time it is sold or broadcasted. For
example, it if was to write the credits for a film, every time the film is
shown so are the credits, so they will get money for he credits being
broadcasted on television.
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The production companies disadvantage is that they could use a lot of
time doing and making it, and then not get chosen by the client.
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Informal
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Where it
is open to all of the production companies, who then, if they want, complete
the brief, hoping their completed work will get chosen by the client.
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More ideas
and creativeness can be added. Including changing the visual style or
changing the content, regarding the product still stays within the boundaries
of the legal or ethical obligation.
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If the
company do not manage to do as the agreement says, they could be found in
breach and could face legal action. This is why it is important to read what
you are agreeing to do.
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Co-Operative
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An
informal brief is most likely a verbal agreement. No contract or written
document is needed.
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Only the
winning company get paid.
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Disagreements
can occur, a negotiated brief would have to be sent to and appeal to both
companies.
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Negotiated
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when a large media company hires an independent media company to work
and create the product for them
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As there
is no guideline to follow, this allows people to be more creative and create
what they like. It will also be a lot more stress free.
|
The brief has to be negotiated between two media companies rather than
just one client, this can cause different ideas and conflict between both
companies.
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Commission
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A company,
such as a media company signs an agreement to complete a specific task given
to them and completes it within a certain time and for a certain fee.
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For the company needing the brief, an advantage is that if a lot of
production companies decide to make a brief for them, they have lots of
option to choose from.
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Both
companies and the client have to agree to the negotiated brief to allow them
to continue completing it
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Tender
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Where a client publishes that they need a brief to be made. When it is
noticed, production companies then produce a brief, proposal and budget and
it is then pitched to the client.
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The
companies work together to do the brief, adding more creativeness to it and
more ideas. This may also take a considerably shorter time to complete rather
than just one small company doing it themselves.
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Formal
briefs are not always legally binding. If there are any additional
information or changes, there will need to be negotiations.
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Competition
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A client
provides a company with a brief that simply indicates what they would like
the company to do.
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You can
almost guarantee that it will be done for when you need it.
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You may
have used up the companies money, time and not get chosen.
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Assessment: Check Your Answers
Different Types Of Brief from phele1994
http://www.marketingmanchester.com/media/44947/filming%20tender%20brief.pdf
http://www.cinemagic.org.uk/downloads/Young_Filmmaker_2017_Regulations.pdf
http://downloads.bbc.co.uk/commissioning/site/knowledge-learning-style-guide-v1.2.pdf
New Info - Reading & Negotiating a Brief
Activity: In groups, discuss the requirements of the types of brief you have found/been given for your Production work
Reading a brief: recognise the nature of and demand implicit in brief
Activity: In Pairs - Annotate the brief to demonstrate how you have extracted key information
Negotiating the brief: Exemplar (make notes)
http://www.marketingmanchester.com/media/44947/filming%20tender%20brief.pdf
http://www.cinemagic.org.uk/downloads/Young_Filmmaker_2017_Regulations.pdf
http://downloads.bbc.co.uk/commissioning/site/knowledge-learning-style-guide-v1.2.pdf
New Info - Reading & Negotiating a Brief
Activity: In groups, discuss the requirements of the types of brief you have found/been given for your Production work
Reading a brief: recognise the nature of and demand implicit in brief
Activity: In Pairs - Annotate the brief to demonstrate how you have extracted key information
- Audience (Demographics)
- Market Competition/Trends
- Use of the Product (E.g. Marketing, advertising)
- Style of Product
- Technical Specifications (E.g. FPS, Aspect Ratio and Quality of the final Product)
Negotiating the brief: Exemplar (make notes)
- consultation with client;
- degree of discretion in interpreting brief;
- constraints (legal, ethical, regulatory);
- amendments to proposed final product;
- amendments to budget;
- amendments to conditions;
- fees
Opportunities:
- identify opportunities for self-development;
- new skills;
- multi-skilling;
- contributions to project brief
Activity: In groups, Mind map using Popplet from your discussion how you completed the processes below,
Activity: Individually contribute - record a Video Blog (Vlog) of the process of having worked with a brief and a client.
Activity: Individually contribute - record a Video Blog (Vlog) of the process of having worked with a brief and a client.
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